For those of you with browsers supporting the new Canvas element [Firefox, Safari, and Chrome], you might have noticed that it's now snowing on our blog! It's an in house project to test out the upcoming technology, whilst having a bit of seasonal fun. The snow will settle on images and video, and puff up in the air when you scroll the page. Enjoy!
Tuesday, 1 December 2009
Monday, 30 November 2009
Vegas type graveyard
We love big letters and not the sort you read. This a photo collection of where Vegas' signs who have lost their neon go to die.
http://www.flickr.com/
Thursday, 19 November 2009
Winter is well and truly here...
The Time of Gifts branding has come to an end just as winter rears its head. Lovely work by Andrew Bannecker courtesy of CIA. The Eden design team are now rolling it out so look out for TV ads, posters and billboards appearing county wide. Clean up those skate boots and get knitting your winter hat.
The leaflet featured a spot silver and a die cut. Printed on thicker than usual paper it was designed to have the feel of a nativity scene when displayed.
Tuesday, 17 November 2009
No retouching required
I came across these lovely covers from Esquire and wondered at which point did mens magazine titles abandon design and decide to feature scantly clad ladies. It would take a brave art director to revert to the innovation of these designs from the late 50's and 60's, interestingly Paul Rand worked as art director for Esquire from 1936-41 and cues from his exquisite style can be referenced in these designs by Robert Benton. See the whole collection on the Esquire site, along with a few ladies…
Wednesday, 11 November 2009
Friday, 6 November 2009
Japan's bike eating robot
The Guardian bring us a wonderful solution to the problem of bicycle congestion in urban contexts.
I'd be happy for this robot to eat my bike!
Martin.
Monday, 2 November 2009
Poster designs
Whilst blog-hopping I came across the fantastic posters created for the International Year of Astronomy by Simon Page. Love the feel of old Pelican book covers you get from the designs and they're so fitting of the subject. Simon's portfolio and blog can be found here...
Paul
Paul
Thursday, 29 October 2009
A new look for a new festive season
No-one wants to think about Christmas yet, but when it involves ice skating, food markets and the odd ale or two we start becoming more festive by the minute. We're currently in the process of updating Eden's much loved campaign, A Time of Gifts featuring the lovely illustrations of Andrew Bannecker . Here's a sneak preview...
Stay tuned for the finished campaign and a leaflet with some interesting print finishes.
Diggory
Stay tuned for the finished campaign and a leaflet with some interesting print finishes.
Diggory
Tuesday, 27 October 2009
Unicef Tap Project...
These are beautiful illustrations for the Unicef Tap Project by Christian Borstlap. Lovely to see illustration and photography brought together so elegantly.
JL
JL
We love the smell of paper in the morning.
Even the digital amongst us love paper modeling and we love seeing talented people and their paper masterpieces. The latest spotted on It's Nice That is Jen Stark. See more of her work at www.jenstark.com.
Animation, but not as you know it
A lovely collaboration between Blu and David Ellis creating an installation/animation which makes you want to pick up a pen (and a tub of paint) and get creative. Looped twice for some unknown reason. Cheers Shapes That Go.
COMBO a collaborative animation by Blu and David Ellis (2 times loop) from blu on Vimeo.
Diggory
COMBO a collaborative animation by Blu and David Ellis (2 times loop) from blu on Vimeo.
Diggory
Monday, 26 October 2009
Putting the service back in service stations
Service stations are a miserable place where you are forced to part with large sums of money with little return. So we were pleased to spot this design for a Romanian petroleum company Vitro, recently given a brand make-over by Saffron. A collaboration between architecture and graphic design makes for a modern, striking environment and the colour gradient (or disco) lighting is a pleasant change from the glare of florescent tubes. The principle is to make the driver as welcome as the car, great idea but I wonder if you can still buy an over chilled Ginsters meat slice? View the full brand story
Wednesday, 14 October 2009
There's something about clock design which really appeals to us. We've got several time-based screensavers in the studio that think up ever more creative ways to tell the time so we liked stumbling upon Biegert & Funk's QLOCKTWO.
The clock comes is several colours and hi-lights the time through it's typographic interface. The bad news is it costs €885.00 but the good news is you can get an iPhone version for 59p at the iStore.
WHY?
Having our studio overlooking Falmouth harbour and working with Pendennis means we are always being made envious by the amazing Superyachts we see. However, when we spotted this on Corking Design's blog it blew our minds. Anyone fancy a 58m 'moving island' developed with the latest and most advanced sustainable technologies, trees in the atrium and its own 25m salt water swimming pool?
The yacht is design by WHY (a partnership between Wally Yachts and Hermes). Take a look at the micro-site here...
Friday, 25 September 2009
What can plants and bees teach us about our audiences?
As designers, we know that understanding the audience and their needs is crucial in achieving a successful piece of design. Design colleges teach students (or at least should) to design to a brief and not to their own fashions or likes. This empathy with an audience is a key difference between design and art, where a designer's hand is guided by a wholly different 'requiredness' from which informs paintings or a work of sculpture. Such is the importance that a design project often starts with a large phase dedicated to identifying the audience and defining their aims and objectives. This is especially true in the website design sector as there is a need to outline the criteria to measure whether the website was a success of not. Indeed a whole area of professionalism has developed to cater for this very need and you will now see a growing market for User Experience consultants (or UX consultants) within the design sector.
So what have plants and bees have to do with design? On the surface of it the relationship between plants and bees is an easy one, and is taught in schools from a very early age. Many plants depend on bees and other flying insects to help pollinate by attracting them to their flower and letting it carry the pollen to the next plant and thus become an aid to its pollination. Insect pollination has many advantages over air pollination (where the plant launches its pollen into the wind in the hope of it landing on another one of its species) but still has the perils of the insect visiting various indiscriminate plants and wasting the pollen on non-related species. Where plants have really succeeded though is by evolving various mechanisms that constantly attract a particular insect to its lair, knowing that when it leaves carrying its precious cargo it is more likely to be attracted to one of its brethren rather than an alternative plant. Various such mechanisms have evolved for this very purpose and this is where the element of design comes in - natural design, of course. The process of natural selection is beyond this blog but if you're interested in the process the Richard Dawkins book, 'The Greatest Show on Earth - The Evidence for Evolution' describes the absolute beauty of Darwin's theorum†.
So with the knowledge that many plants have evolved with the purpose of attracting particular insects for the purpose of helping them to pollinate we can look at the plant as the designer and the insect as the audience. In Dawkins' book he uses a particular example to show this, the evening primrose (Oenothera), and this is a rather good example to unpick how its design successfully attracts its particular audience, in this case a bee (although other insects such as certain moths also are attracted by the evening primrose). The evening primrose develops a bright yellow flower which acts as the enticer and landing strip that guides the bee down to the stamens where the pollen hitches a ride on the bee's hairy abdomen. But this is wrong, we're not yet thinking like the audience. Insects have very good colour vision but they differ from humans in that it is shifted over towards the ultraviolet end. Therefore as good designers we should try and look at the flower as the audience would. Taking the evening primrose flower and placing it under an ultraviolet filter shows an intricate pattern that is beyond the human range of vision. It is this nectar-guide design which has been created to please the audience, not the one that we see. Taking a little time to investigate the audience has led us to a successful explanation.
Whilst we'll never have to design for bees there is a huge variation of how people interact with design and taking the time to research and consider them for each project is time that is never wasted. Inclusion and accessibility are important considerations in design and understanding that different people view things differently, use things differently and even do things differently at different times helps to create effective design. After all good design should always put its audience first.
By Paul Davies
* Of course you ay disagree with the definition of design versus art, and that could be a whole other area for discussion.
† For those proof readers out there, this is not a mis-spelling but a term from Dawkins to note the difference between a theory which has yet to be proved and one which has moved into fact.
So what have plants and bees have to do with design? On the surface of it the relationship between plants and bees is an easy one, and is taught in schools from a very early age. Many plants depend on bees and other flying insects to help pollinate by attracting them to their flower and letting it carry the pollen to the next plant and thus become an aid to its pollination. Insect pollination has many advantages over air pollination (where the plant launches its pollen into the wind in the hope of it landing on another one of its species) but still has the perils of the insect visiting various indiscriminate plants and wasting the pollen on non-related species. Where plants have really succeeded though is by evolving various mechanisms that constantly attract a particular insect to its lair, knowing that when it leaves carrying its precious cargo it is more likely to be attracted to one of its brethren rather than an alternative plant. Various such mechanisms have evolved for this very purpose and this is where the element of design comes in - natural design, of course. The process of natural selection is beyond this blog but if you're interested in the process the Richard Dawkins book, 'The Greatest Show on Earth - The Evidence for Evolution' describes the absolute beauty of Darwin's theorum†.
So with the knowledge that many plants have evolved with the purpose of attracting particular insects for the purpose of helping them to pollinate we can look at the plant as the designer and the insect as the audience. In Dawkins' book he uses a particular example to show this, the evening primrose (Oenothera), and this is a rather good example to unpick how its design successfully attracts its particular audience, in this case a bee (although other insects such as certain moths also are attracted by the evening primrose). The evening primrose develops a bright yellow flower which acts as the enticer and landing strip that guides the bee down to the stamens where the pollen hitches a ride on the bee's hairy abdomen. But this is wrong, we're not yet thinking like the audience. Insects have very good colour vision but they differ from humans in that it is shifted over towards the ultraviolet end. Therefore as good designers we should try and look at the flower as the audience would. Taking the evening primrose flower and placing it under an ultraviolet filter shows an intricate pattern that is beyond the human range of vision. It is this nectar-guide design which has been created to please the audience, not the one that we see. Taking a little time to investigate the audience has led us to a successful explanation.
Whilst we'll never have to design for bees there is a huge variation of how people interact with design and taking the time to research and consider them for each project is time that is never wasted. Inclusion and accessibility are important considerations in design and understanding that different people view things differently, use things differently and even do things differently at different times helps to create effective design. After all good design should always put its audience first.
By Paul Davies
* Of course you ay disagree with the definition of design versus art, and that could be a whole other area for discussion.
† For those proof readers out there, this is not a mis-spelling but a term from Dawkins to note the difference between a theory which has yet to be proved and one which has moved into fact.
Friday, 5 June 2009
Think Talk
Friday, 24 April 2009
We're now Twittering
If you're on here reading our blog then we wouldn't want to patronise you by explaining what Twitter is. All we do want to tell you is we are Twittering so start following us to see things that inspire us on a day-to-day basis as well as keeping up-to-date on work that we finish.
If you fancy it, then go to our Twitter feed here: www.twitter.com/gendalldesign
Tuesday, 24 March 2009
Best corporate website at the Media Innovation Awards
It's great to be given an award for some work, and even better to be invited along to a swanky presentation ceremony to collect it. Check out Paul and Alan accepting the award for Best Corporate Website at this year's Media Innovation Awards.
Click here to see the awarded site - VisitNewquay.org
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